New Releases On Blu Ray & DVD: 9/17/13

Marc Forster’s summer hit WORLD WAR Z heads the crop of Blu ray and DVD releases this week, available in a 2-disc Blu-ray + DVD + Digital Copy package or a single disc DVD. The film, which as the front cover art displays, features Brad Pitt single-handedly saving the world from a global outbreak of zombies. After months of hype leading up to its theatrical release, the film was pretty disappointing (read my review from last June), but maybe it will have more of an impact on the small screen. Special Features: a couple of featurettes (“Origins” and “Looking to Science”), and a four part “Making of” documentary that explores in detail how such money shots as the masses of zombies scaling the tall fortress walls in Israel were pulled off.

Another film to which I gave a lukewarm review, Sofia Coppola’s THE BLING RING, also comes out today on both Blu ray and DVD. Coppola’s satirical true crime film, her fifth as director, is based on the story of a group of fame-obsessed teens who broke into the Los Angeles houses of celebrities such as Paris Hilton (who has a brief cameo), and stole millions of dollars worth of clothing, jewelry, cash, and swag. It’s interesting for about a third of it, but there’s not much substantial takeaway as you can read in my review: “THE BLING RING: As Superficial And Empty-Headed As The Girls It Depicts” (6/21/13). For folks that find it more fascinating than I, there are a few substantial Special Features including the almost 23 minute featurette “Making THE BLING RING: On Set with Sofia, the Cast and Crew,” the almost 24 minute “Behind the real ‘Bling Ring’,” and the over 10 minute “Scene of the Crime with Paris Hilton.”

A film I missed in its brief theatrical run (not even sure if it came to my area), Henry Alex Rubin’s 2012 thriller DISCONNECT is out this week in single disc Blu ray and DVD editions. A sold ensemble including Jason Bateman, Hope Davis, Frank Grillo, Andrea Riseborough, Paula Patton, Michael Nyqvist, and Alexander Skarsgård star in what IMDb tells me is about “searching for human connections in today's wired world.” Special Features: Commentary with Direct Rubin, an almost 30-minute documentary “Making the Connections: Behind the Scenes of DISCONNECT,” a 4-minute featurette “Recording Session of “On the Nature of Daylight,” and the theatrical trailer.

Steven Soderberg’s terrific HBO telefilm from earlier this year, BEHIND THE CANDELABRA, starring Michael Douglas as Liberace and Matt Damon as his young lover Scott Thorson, is out today in single disc Blu ray and DVD editions. The glitzy biopic (well, not really a biopic as it only covers a few years of Liberace’s life), which was rejected by every major movie studio because it was “too gay,” has been nominated for 15 Emmy Awards, including nominations for Douglas and Damon, and I wouldn’t be surprised if it takes home a bunch of them this coming Sunday night. There’s only one Special Feature, a 13 minute “Making of” featurette, but it’s an entertaining mix of interview snippets, archival footage of the real Liberace, and insights into how the costume and set designers were able to so convincingly pull off all the lavish surroundings of late ‘70s Las Vegas.

Also releasing today is Zal Batmanglij’s THE EAST, starring Brit Marling, Alexander Skarsgård (man, he gets around!), and Ellen Page as eco-terrorists. It’s a pretty decent thriller that’s at least worth a rental. A few other new films out today: Kyle Killen’s psychological thriller SCENIC ROUTE, Morgan O'Neill’s Australian surfing drama DRIFT, and Uwe Boll's thriller SUDDENLY, starring Ray Liotta, Dominic Purcell, and Michael Paré. That last title, a remake of Lewis Allen’s 1954 film noir thriller of the same name, is actually dumb fun, which is something, considering it’s, you know, a Uwe Boll production.

On the older film new to Blu ray front there’s a nice handful of horror and classic monster movies such as George A. Romero’s 1985 zombie classic DAY OF THE DEAD (Collector’s Edition), the 1931 Bela Lugosi classic DRACULA, Hammer Film’s 1966 Christopher Lee classic DRACULA: PRINCE OF DARKNESS, the 1935 Boris Karloff classic THE BRIDE OF FRANKENSTEIN, and the 1941 Lon Chaney Jr. classic THE WOLF MAN. I also can’t leave out the TREMORS Attack Pack which contains all 4 TREMORS movies (there were 4 of them?). Now, that’s a lot of scary classics that are now all Blu rayed-up!


TV season sets releasing today: Nashville: The Complete First Season, Leverage: The Fifth Season, The Mentalist: The Complete Fifth Season, Grimm: Season Two, Arrow: The Complete First Season, Bates Motel: Season One, CSI: Crime Scene Investigation - The 13th Season, and Golgo 13: Complete Collection.

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WORLD WAR Z: The Film Babble Blog Review

Opening tonight at a multiplex near you:

WORLD WAR Z (Dir. Marc Forster, 2013)

These aren’t the slow “walkers” like on AMC's hit show The Walking Dead, these zombies run at intense speeds, jump long distances, and swarm into a tangled mangled mess of flailing limbs coming at you in 3D in this adaptation of the bestselling 2006 novel by Max Brooks (son of Mel).

But since there’s so much quick cut action, a lot of it in darkness, the zombies aren’t really coming at you, except in chaotic glimpses. Perhaps blame the fact that it’s a PG-13 production, but the zombies here are hard to get a good look at in early scenes set in a Philadelphia traffic jam captured by herky-jerky-cam, a shadowy stairwell in a New Jersey slum, and a dark rainy runway in Korea where they’re mainly seen as spastic silhouettes.

These are locations that Brad Pitt, as a retired United Nations investigator, encounters the blood-thirsty undead as he travels the earth trying to figure out how to stop the zombie apocalypse.

Pitt had managed to shuffle his wife (Mireille Enos) and daughters (Abigail Hargrove and Sterling Jerins) to safety aboard a U.S. Naval ship, but despite wanting to stay with his family he’s talked into saving the world by his former U.N. boss (Fana Mokoena) so he rolls up his sleeves to get the job done.

Pitt co-produced this big ass epic, touted as the most expensive zombie movie ever with its budget of $400 million, so it makes sense that it’s his character’s singular story. We follow him to Israel because they somehow were more prepared for the zombie outbreak, having quickly constructed enormous walls around their cities to protect themselves.

It’s too bad that Pitt doesn’t share with their officials that they should keep the noise down, something he previously learned in Korea, because their loud chanting, aided by misguided microphone use, draws the zombies to pile up in large numbers to scale the walls (this is one of the movie's big money shots). 



Anyway, Pitt, joined by Daniella Kertesz as a wounded Israeli soldier (Pitt had to chop her hand off because of a zombie bite), board a plane, which of course seems quiet and safe at first, but in the bathroom, you got it – a zombie!

The airplane’s fate here won’t make anybody forget the spectacular plane stunt work in last summer’s THE DARK KNIGHT RISES (or even the fall’s FLIGHT for that matter), but it’s still one of the film’s most gripping and exciting sequences.

However, when watching this and the rest of the movie I kept thinking that it really didn’t look like $400 million was up there on the screen. 

But I know that there were many re-writes and re-shootings (as this Vanity Fair piece details) in which Lost and PROMETHEUS writer Damon Lindelof and Drew Goddard (CLOVERFIELD) were brought in to not just merely punch up Matthew Michael Carhan’s screenplay, they were recruited to create a new third act and ending and that's what added hugely to the film’s already bloated price tag.

That third act, largely taking place in fluorescent-lit labs at the World Health Organization in Wales, has Pitt testing a theory about a possible anti-zombie vaccine. 

The suspense has pretty much been drained from the movie at this point, and the lack of an emotional connection is pretty numbing too. 

Throughout the film, nobody seems to react to their former family, friends, or colleagues having turned irreversibly into these scary creatures, they just know immediately that they have to get the Hell away from them. When watching people they used to work with at the Wales institute on monitors now zombified, a random comment like “oh, jeez, that was Dr. Rosenthal – what a loss,” would be expected, but the screenwriters seem to be more concern with stating plot-points than at least fleshing out the humans to have at least a few more recognizable feelings than the zombies.

AMC’s flawed but enjoyable The Walking Dead may meander at times, but it compellingly regards this relatable factor with characters struggling with losing their love ones. 

Here a kid that sees his father become infected and change (it takes 10 seconds in this film) never shows anything but a survival instinct as he joins Pitt and family on a helicopter to safety. That kid’s thread is never followed up, like a lot of characters that are trotted out – hey, there’s Lost’s Matthew Fox for a second as a a U.S. Navy SEAL! Oh, nevermind. He’s gone.

The 3D conversion doesn’t do the movie any favors either. I can’t think of a single instance where the in-your-face format was effective. The film’s visual appeal is already dicey with its dull gray tones, the addition of the all too typical blockbuster gimmick of the day just detracts even more from the experience. 



It doesn't help either that Forster’s ham-fisted direction, formerly on display in the 007 dud QUANTUM OF SOLACE and 2011’s MACHINE GUN PREACHER, barely keeps the film afloat through the chaotic camerawork by cinematographer Ben Seresin (TRANSFORMERS: REVENGE OF THE FALLEN, UNSTOPPABLE). 


As this summer’s event movies go, WORLD WAR Z is not as all over the place as IRON MAN 3, STAR TREK INTO DARKNESS and MAN OF STEEL are, but its narrow focus on Pitt’s heroics doesn’t make it any more powerful, especially when the entire ordeal boils down to Pitt being able to walk down a hallway through a hoard of zombies without getting bitten. All the socio-policital commentary in the book has been discarded so that we can have the standard race-against-time to save the day scenario, but then that's what the audience wants, right?

Inevitably, after its best shots and moments have been Spoiled by its heavy promotion over the last several months, Forster’s film can’t help but feel anticlimactic. 



Folks who swarm in messy mobs just like the zombies to see it this weekend will most likely find that large chunks of it work as surface level entertainment, but overall its a mediocre and over-reaching opus that has nowhere near the gritty gravitas it’s going for.

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Upcoming Blockbuster Wannabes (With Trailers!)

I went to see THE GREAT GATSBY 3D, which wasn’t that great, last weekend and like usual when I go to the multiplex I get exhausted before the main attraction even starts because of the bombastic noisy trailers for upcoming blockbuster wannabes. 

At least the theater, the Raleigh Grande, didn’t pile too many on like some others do. The bombast started with SUPERMAN RESTARTS, sorry, MAN OF STEEL, the new Superman reboot starring Henry Cavill and directed by Zack Snyder (300, WATCHMEN, SUCKER PUNCH) coming out on June 14th.

The epic trailer looked incredibly promising, albeit Christopher Nolan-ized (Nolan executive-produced), and I like the idea of Russell Crowe as Superman’s biological father Jor El from Krypton, Kevin Costner as his Earth father, and especially Michael Shannon as General Zod. Here’s hoping that it at least strikes a more successful chord than Bryan Singer’s SUPERMAN RETURNS. Check out the trailer:

The following trailer, for THOR: INTO DARKNESS, sorry, THOR: THE DARK WORLD, due out November 8th, really suffered by comparison to the MAN OF STEEL one. 

Alan Taylor takes over on directing duties from Kenneth Branagh for the sequel to the 2011 Marvel Universe entry, in which Chris Hemsworth reprises his role as the Asgardian warrior for the third time (the second was in last year’s smash THE AVENGERS). Natalie Portman also returns in this CGI-saturated super hero flick that has Thor battling…uh, I’m not sure. Actually I couldn’t get a sense of the plot, except that Portman goes to Thor’s dimension or whatever you call it, from the roughly 2 minute trailer, which you can see below, but looks like there’s lots of action and stylized violence just like you’d expect. 

Lastly, one of the most anticipated movies of the summer, Marc Forster’s WORLD WAR Z, based on the book by Mel Brooks’ son Max Brooks, was advertised in a trailer also filled with quick cuts of thunderous action. Brad Pitt stars in the film (the trailer doesn’t make his occupation clear, but it's some kind of government job) that consists of swarming zombies (they move much much quicker than in The Walking Dead) overtaking the earth. The film has a budget of over $200 million and from the looks of this preview, it looks like it’s all up on the screen. Check it out the trailer for WORLD WAR Z, opening the week after MAN OF STEEL on June 21st in IMAX 3D and plain ole 2D:

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