Sly & Ahnold's Buddy-Convict Flick ESCAPE PLAN Is A B-Movie Blast

Now playing at a multiplex near you:

ESCAPE PLAN (Dir. Mikael Håfström, 2013)

There’s just no way Sylvester Stallone and Arnold Schwarzenegger can make a movie together that isn’t a throwback to their ‘80s action heyday. It's simply impossible.



Of course, THE EXPENDABLES movies have been there and done that (and will again), but this shiny formulaic prison break movie, a buddy-convict flick if you will, proves that maxim all over again.

The graying former rivals (they never would’ve appeared in each others’ movies during the Reagan era) here play fellow inmates in a secret state of the art maximum security facility that highly resembles the futuristic prison in John Woo’s FACE/OFF – you know, the ‘90s over-the-top action film in which John Travolta and Nicholas Cage traded faces? Yeah, I thought you’d remember.

Anyway, Stallone plays a “secure structure expert,” who is employed by various contractors to break out of prisons to test the strength of their security. The CIA hires him to go undercover to their new high-tech super prison to find the flaws in their system, but his methods are immediately compromised by a truck full of thugs who abduct him and remove the G.P.S. tracker embedded in his arm.

This leaves his staff including Amy Ryan (The Wire, The Office), and Curtis “50 Cent” Jackson scrambling to find his location, while his boss (Vincent D’Onofrio) seems less concerned, obviously because he was involved in the set-up.

Jim Caviezel (PASSION OF THE CHRIST, Person Of Interest), as the sinister as can be Warden, knows Stallone’s real identity (he even uses Stallone’s book on building an escape-proof prison as a reference guide), and has evil plans to use Stallone and Schwarzenegger to find the whereabouts of a never seen terrorist mastermind named Manheim.

If that last paragraph seemed a bit hard to follow, it really doesn’t matter as its just mysterious background fodder to the main action dealing with escaping from the prison which turns out to be located inside an oil tanker somewhere in the middle of the ocean. See what I mean about the prison’s similarity to FACE/OFF?

In the midst of these convolutions, Schwarzenegger has the best lines, like “You hit like a vegetarian,” while Stallone does his stoical man in deep thought thing, and there is juicy turn by Vinne Jones as a sadistic guard. A not so juicy turn is put in by the odd casting of Sam Neill as a prison doctor who so seems like he’d rather be anywhere else.

ESCAPE PLAN is smarter than THE EXPENDABLES movies, but it's still really stupid. However, hardcore fans who’ve been waiting for the duo of the Italian Stallion and Ahnold to break away from the EXPENDABLES ensemble of aging action stars and do a true buddy film where they kick a lot of ass together will surely find it to be explosively entertaining.

As someone who’s not particularly a big fan of either heavy weight, but has come to appreciate their brands over the years, I found it to be a B-movie blast. It has the look, feel, and gusto of Stallone and Schwazenegger’s greatest guilty pleasures – consider it LOCK UP meets COMMANDO. No self-deprecating jokes about being aging relics this time around, just good ole '80s-style action 101.

More later...

It's the 5th Anniversary Of SLUMDOG MILLIONAIRE, So Here's The Top 5 Game Show Films

This is a guest post by Elizabeth Eckhart:

Today is the fifth anniversary of Danny Boyle and Loveleen Tandan's iconic Best Picture Oscar-winning SLUMDOG MILLIONAIRE (reviewed on 12/16/08). The film, which premiered at the Telluride Film Festival on August 30th, 1998, follows Jamal, played by Dev Patel, from his less-than-humble beginnings in the slums of Mumbai, India to his appearance on the Indian version of the game show Who Wants to Be a Millionaire.



Though he was raised with little to no formal education, Jamal is able to correctly answer every question, resulting in Jamal’s torture and interrogation -- which is how the film opens. The show’s host and other authorities are convinced that Jamal has cheated, but through a series of flashbacks we discover the life experiences which gave Jamal every answer to the show.



The film takes away much of the tension that might have been aroused watching Jamal in the hot seat since audiences are aware he succeeds. However, this allows for more attention to be given to Jamal’s story, much of which still needs to be resolved after the game show concludes.



SLUMDOG MILLIONAIRE was famed for its cross-cultural music, vivid imagery, and unique game show plot line. Game show movies, though rare, have a special ability to create an introspective audience. While watching the cheering audience on screen, real viewers are given the opportunity to become quite self reflective. One audience may be cheering, while the other nervously sits on edge, waiting for the unavoidable catastrophe.



In honor of SLUMDOG’s anniversary, let’s look at five more of the best game show movies available today:

THE RUNNING MAN (Dir. Paul Michael Glaser, 1987)

It is the year 2017 (oddly close to us now) and the world economy has collapsed. In this new, military controlled police state where everything from TV, movies, art, and communication is censored, the government has discovered a new way to deal with criminals: prisoners can either serve jail time, or take part in a violent game show called The Running Man. Based off of Stephen King’s novel by the same name (written under the pseudonym Richard Bachman), we follow Ben Richards (Arnold Schwarzenegger), a former LA police officer who has been framed for murder, and then forced to compete on the show. As a contestant, he is viciously followed by “Stalkers,” the futuristic version of a bounty hunter.



Though Arnold disliked the way director Paul Glaser shot the film, claiming he “shot the movie like a television show,” some may argue this is the very factor which makes the film exciting. The look and feel of the film does feel similar to television shows, heightening our own anxiety as we wait to see if Ben succeeds in revealing the government’s secrets and proving his own innocence.

QUIZ SHOW (Dir. Robert Redford, 1994)

QUIZ SHOW is based on the 1950s game show scandal, when the show Twenty One was discovered to have been rigged. Though not completely accurate, the film stays pretty true to form, only adding slight embellishments to dramatize and turn the movie into an appropriately exaggerated version.



If we can recall, Charles Van Doren (Ralph Fiennes) is the more physically appealing contestant. It’s discovered that Charles is being fed answers in order to defeat his less-attractive competitor, Herb Stempel (John Turturro). Herb, who had been the legitimate reigning champ, is setup to fail due to his approval ratings being leveled out. After Doren defeats him, Herb fades into the background and Doren becomes an instant celebrity. Doren’s winning streak begins to take a toll, though, as he becomes more dependent on producers to feed him correct answers. Herb Stempel, in the meantime, brings in a lawyer that begins to investigate the show. From there, the secrets of Twenty One slowly begin to fall apart.



The film is definitely worth a watch, as it provides a surprising look at the crumbling and downfall of multiple men, both the contestants and those running the show.



STARTER FOR TEN (Dir. Tom Vaughan, 2006)

Possibly one of the least known films on the list, STARTER FOR 10 is a British film set in 1985 about a young student named Brian Jackson (James McAvoy) who wins a place on the University Challenge quiz team. While on the team, Brian deals with a hopeless crush on a teammate and the clashing worlds of Bristol University and his less posh friends and family back home. Brian represents that trivia geek and information sponge everyone knows (or possibly is himself).



Though James McAvoy is enough reason to give this film a shot, it was also produced by Tom Hanks. The film is wittier than most rom coms, since the leads are all intelligent people and their romantic entanglements are set against this unique, competitive atmosphere.


CONFESSIONS OF A DANGEROUS MIND (Dir. George Clooney, 2002)







Directed by George Clooney who also stars in this film as the CIA operative Jim Byrd who recruits Chuck Barris (Sam Rockwell), a TV producer and game show host of The Gong Show, to become an assassin. It’s unclear if the spy life of Chuck is real or imagined, but in reality Chuck Barris did exist, and did claim to work for the CIA. The real Barris was heavily involved in the production, ensuring that the film accurately reflected his memoir and point of view.



The plot follows Barris as he becomes increasingly successful in the realm of game show hosting, while at the same time lives out his double life as a spy. Though odd, and difficult to take as an honest biography, the film is fun to watch and features large names like Julia Roberts, Drew Barrymore, and Michael Cera.



THE HUNGER GAMES (Dir. Gary Ross, 2012)

The most recent and popular game show film today, THE HUNGER GAMES is the only film here advertised to a younger audience. The plot, as many know, follows young Katniss Everdeen (Jennifer Lawrence) after she takes her sister’s place as a chosen tribute for the only game show that exists in a dystopian future.



The game is a duel to the death between preteen and teen competitors from each of the twelve poor districts and the wealthy Capitol. The Hunger Games is used both as a vehicle for gruesome entertainment, but also as the means of controlling disenfranchised districts, employed by the Capitol dwelling authority figures who rule in this bleak, post-apocalyptic future.



Though marketed toward children, the movie deals with heavy themes, such as starvation, government abuse, the role of reality TV and the media in societal mores, and of course, murder. Based off the trilogy written by Suzanne Collins, THE HUNGER GAMES follows Katniss as she first tries to survive the games, then subsequently spurs a rebellion, whether she wants to or not.

Author Bio: Elizabeth Eckhart is an entertainment and film blogger for DirectTVcomparison.com where she covers everything from new releases to retrospectives on forgotten cinema classics. She is highly anticipating the release of the next HUNGER GAMES sequel.

More later...

New Releases On Blu Ray & DVD: 5/21/13

Today’s releases feature a plethora of titles that I missed when they were released theatrically early this year. 



First up, former California Govenor Arnold Schwarzenegger’s first starring role in a decade (THE EXPENDABLES movies? Consider those cameos.), Kim Ji-woon’s THE LAST STAND comes out in single disc Blu ray and DVD editions. The action flick about Schwarzenegger as a small town Sherriff battling a Mexican drug lord, which looks like it could possibly be big dumb fun, comes with a smattering of Special Features including a nearly half hour featurette entitled “Not In My Town: Making THE LAST STAND,” a few shorter featurettes (“Cornfield Chaos: Scene Breakdown,” “The Dinkum Firearm & Historic Weaponry Museum Tour”), Actor-Cam Anarchy: with Johnny Knoxville and Jaimie Alexander, and over 20 minutes of deleted and extended scenes.

Another I missed, and barely noticed the existence of, Richard LaGravenese’s TWILIGHT-wannabe BEAUTIFUL CREATURES, starring Alden Ehrenreich and Alice Englert, hits the shelves in a double disc Blu ray package and in a single disc DVD. Special Features a 24-minute collection of behind-the-scenes Featurettes, 8 minutes of deleted scenes, trailers, and a TV spot. I seriously doubt I’ll be queuing this up.



A few films I’m actually interested also drop on Blu ray and DVD today: Fisher Stevens’ STAND UP GUYS and Steven Soderbergh’s SIDE EFFECTS. 



Available in 1-disc Blu ray and DVD editions, STAND UP GUYS stars the awesome trio of Al Pacino, Christopher Walken, and Alan Arkin as old school gangsters who get together to pull off one last job. Sure, it sounds clichéd as Hell, but I heard good things here and there and will likely give it a whirl this week. Stevens provides a director’s commentary, and other extras include a few featurettes, and a few minutes of deleted scenes. 

Soderbergh’s psychological thriller SIDE EFFECTS, available in a double disc Blu ray set or a single disc DVD package, once said to be one of the director’s final projects before retiring (he’s since said he’s only taking a film-making sabbatical), stars Rooney Mara, Jude Law, Catherine Zeta-Jones, and Channing Tatum in a tale about a young woman (Mara) who gets prescribed an experimental new medication called Ablixa. Special Features are pretty paltry: a 3 minute behind the scenes featurette, and a couple minutes of fake commercials for the fictional drugs depicted in the film. 

True Blood: The Complete Fifth Season, right in time for the upcoming 6th season of the wildly popular HBO series (premiering on June 16th) is also out today in a spiffy (Blu-ray/DVD Combo + Digital Copy) box set. I’ve not been a regular view of the show before, but the fine folks at HBO sent me a review copy of the nicely packaged season so I’ve been making my way through it. I usually like to watch shows from the very beginning, but I’ve gathered bits and pieces about what’s been going on in the Southern sometimes ultra-trashy world of Sookie Stackhouse, played with punchy energy by Anna Paquin. Since I don’t know all the back stories, and my grasp on the mythology is far from formed, I can get a bit lost, but the show moves fast and has a lot of sordid sex scenes so it’s pretty damn watchable. 



5 commentaries featuring cast and crew members are included, as are such extras as something called “advanced viewing mode,” in which gives viewers the options of getting 4 different angles on each episode along with trivia, production notes, character bios, and histories (hmm, maybe that’ll help me get up to date). There’s also an “Autopsy” of episode Six “Hopeless,” “Authority Confessionals,” and a few more featurettes.

Also from HBO, a film I reviewed when it premiered on the premium cable channel last November, Brett Morgen’s Rolling Stones documentary CROSSFIRE HURRICANE is now out in single disc Blu ray and DVD editions. The doc, which I considered a “purposeful primer of their formative years” although it adds little new for long-time fans, is enhanced by bonus material made up of of live and TV performances from the mid ‘60s (9 songs in all), an interview with director Morgen, and the theatrical trailer.

Notable retro-tinged releases today are PBS’s American Masters documentary about the legendary comic actor/writer/director Mel Brooks (Robert Trachtenberg's “Mel Brooks: Make A Noise”), the Criterion Collection edition of Haskell Wexler’s 1969 cult classic MEDIUM COOL, and Warner Bros. celebrates the 30th anniversary of NATIONAL LAMPOON’S VACATION with a new special edition Blu ray (also 1997’s VEGAS VACATION, which wasn’t from National Lampoon incidentally, makes its Blu ray debut today).

Paul Borghese’s gritty crime drama ONCE UPON A TIME IN BROOKLYN, starring Armand Assante William DeMeo, Cathy Moriarty, and Ice T comes out on DVD today. Its plot sounds a bit like STAND UP GUYS – guy gets out of prison and gets back into illegal activities – but I bet that there’s a distinctly different tone happening. Director’s commentary, interview with Borghese and DeMeo, and deleted scenes. 

Lastly, a few horror titles drop on DVD this week: H.P. LOVECRAFT’S COOL AIR, directed by Albert Pyun is out now only on DVD with no Special Features other than a trailer gallery, and AFTER DARK ORIGINALS: DARK CIRCLES, the full length directorial debut of Paul Soter, one of the Broken Lizard comedy team who brought you SUPER TROOPERS and CLUB DREAD. Soter appears with actor Johnathon Schaech, and blogger Ryan Turek on an audio commentary, and the sole other extra is a DARK CIRCLES behind-the-scenes featurette.

More later...