New Releases On Blu ray & DVD: 11/12/13

Along with many other critics, I was super disappointed by last summer’s Superman reboot, Zack Snyder’s MAN OF STEEL as you can read in my review. The Christopher Nolan-produced film, in which Henry Cavill steps into the famous red boots for the first time, was still super successful, being the highest-grossing Superman movie ever, so it’s now available in several different Special Edition sets. 

The most expensive package, at just under $50, is the Limited Collector's Edition (pictured above), which features the theatrical version of the film in 3D hi-definition, hi-definition and standard definition, and also includes a limited release metal “S” glyph with acrylic glass stand. Around the same price is the Collectible Figurine Limited Edition Gift Set (Blu-ray + DVD + Ultra Violet Combo). For folks on tighter budgets, there’s the 3-disc Blu ray + DVD + UltraViolet Combo Pack, and 2-disc Blu ray and DVD editions.

Special Features: “Journey of Discovery: Creating MAN OF STEEL” (the full length film with interviews and visual commentary inserted), a couple of nearly hour-hour long making-of documentaries (“Strong Characters, Legendary Roles,” “All Out Action”), a 6-minute featurette “Krypton Decoded,” a 2-minute Superman 75th Anniversary Short, a History Channel-style featurette called “Planet Krypton,” and, for some reason, the “New Zealand: Home of Middle Earth” featurette from THE HOBBIT Blu-ray (?).

Another summer hit, David Soren’s TURBO from DreamWorks Animation, also releases this week. The family favorite, featuring a snail (voiced by Ryan Reynolds) who dreams of winning the Indy 500, is out in a 2-disc 3D and non 3D Blu ray/DVD Combo Packs and a single disc DVD edition. Special Features include a bunch of short featurettes, music videos, a deleted scene, “The Race – Storyboard Sequence,” segments with Head of Character Animation Dave Burgess showing viewers how to draw the film’s lead characters, and an interactive featurette called “Shell Creator.”

One of the year’s best documentaries, Gabriela Cowperthwaite’s BLACKFISH, hits home video today in single disc Blu ray and DVD editions. Read my review: “Anti-Sea World Doc BLACKFISH Makes A Convincing Case” (8/19/13). Special Features: Commentary with Director Cowperthwaite and Producer Manny Oteyza, a bunch of featurettes full of Orca facts, “A Note From Gabriela Cowperthwaite,” and the theatrical trailer.

I had a pretty lukewarm reaction to Noah Baumbach’s vehicle for his girlfriend Greta Gerwig, FRANCES HA, when I saw it last June (my review: “FRANCES HA: She’s Undateable & Her Film Is Just Barely Watchable”), but that was very much an minority opinion as its 93% approval rating on Rotten Tomatoes, and its addition to the Criterion Collection today proves. Supplements on the Director-Approved Special Edition include conversational featurettes with Peter Bogdonich speaking with Baunbach, and filmmaker Sarah Polley with Gerwig, a conversation about the look of the film between Baumbach, director of photography Sam Levy, and creative director Pascal Dangin, and a booklet featuring an essay by playwright Annie Baker.

Also out today: David Gordon Green’s comic drama PRINCE AVALANCHE, starring Paul Rudd and Emile Hirsch; Christian Petzold’s 2012 German drama BARBARA; Diablo Cody’s drama comedy PARADISE, starring Julianne Hough, Russell Brand, and Octavia Spencer; James Cullingham’s music biodoc IN SEARCH OF BLIND JOE DEATH: THE SAGA OF JOHN FAHEY (DVD only); and another notable music documentary: Laura Archibald’s GREENWICH VILLAGE: MUSIC THAT DEFINED A GENERATION.

On the older films out today front, there’s the 25th Anniversary Edition of Katsuhiro Ohtomo’s AKIRA, Oliver Stone’s JFK gets all done up in a 50 Year Commemorative Ultimate Collector’s Edition, the Criterion Collection presents the Blu ray debut of Charlie Chaplin’s 1931 masterpiece CITY LIGHTS, and Kino Classics puts out their 2-Disc Deluxe Remastered Edition of F.W. Murnau’s NOSFERATU (1922).

Finally, Dexter: The Complete Final Season, containing maybe the worst finale episode of any series ever, drops today on Blu ray and DVD. The entire run of the popular Showtime series, starring Michael C. Hall as a Miami-based blood splatter analyst/serial killer of other serial killers, is also available now in Dexter: The Complete Series Collection. The 25-disc Blu ray, and 33-disc DVD boxes are neatly packaged to recreate Dexter’s blood sides collection.

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Ariel Vroman's Dark Thriller THE ICEMAN Now Out On Blu Ray & DVD

Out today on Blu ray and DVD:



THE ICEMAN (Dir. Ariel Vroman, 2012) *

Film Babble Blog favorite, Michael Shannon was seen by millions stepping into shoes once worn by Terrence Stamp for the role of the iconic villain General Zod in Zack Snyder’s Superman reboot MAN OF STEEL this last summer.



But late last spring, movie-goers got a thorough sampling of Shannon’s skills as a very different sort of bad guy in Ariel Vroman’s true story crime thriller THE ICEMAN, now out on Blu ray and DVD.



Shannon portrays New Jersey-based mafia contract killer Richard Kuklinski, who the film’s post script tells was believed to have killed over 100 people. Kulinski was called “The Iceman” because he’d often freeze the bodies of his victims so that cops would have difficulty determining the time of death (so no, it’s not like “The Ice Truck Killer” on Dexter), and because of the man’s cold as ice demeanor.



It’s a demeanor that Shannon really nails with stoic precision, and with enough charisma to woo Winona Ryder as the woman who married the murderer and had two daughters with him, without knowing how he was bringing home the bacon.



Shannon goes from working in the sketchy pornography business (he tells Ryder he’s dubbing Disney cartoons), to doing hits full time, while his family thinks he’s a currency trader.



For his third full-length film as director, Vroman has made a gritty shadowy movie that has traces of ‘70s Scorsese in its DNA, along with the grimy aura of latter day reality based true crime sagas as John McNaughton’s HENRY: PORTRAIT OF A SERIAL KILLER (1990) and Jonathan Hensleigh’s KILL THE IRISHMAN (2011). There are many moments that this film mostly set in the ‘70s, looks like it was actually shot in that era with its grainy textures and authentic looking lighting.



Ray Liotta, still working on perfecting his Henry Hill scowl from Scorsese’s 1990 gangster classic GOODFELLAS adds to the dark décor as a Gambino family crew boss Roy DeMeo (one of the few real names used in the film) who’s constantly breathing down Shannon’s neck, while Chris Evans effectively brings the sleaze as a fellow hitman, Robert ‘Mr. Freezy’ Pronge, who drives the ice cream truck the killers make morbid use of.

Shannon bounces around the streets of New York doing hits, visiting his jailbird brother (Stephen Dorff), and doting on his wife and kids, though in one wild instance of road rage, his temper gets the best of him, and he scares his family half to death chasing down some schlub who made the mistake to yell profanities at our cold-blooded killer after a mild automobile accident.



There is some strained pacing, and like so often the Carter-era fashions and facial hair looks way fake (as has from ANCHORMAN to ARGO), but these factors I can forgive.

THE ICEMAN, follows a familiar dark biopic path, but Michael Shannon’s power and intensity is well captured as this unredeemable soul who can’t help but be anything but a son of Satan, its cast which includes a cameo by James Franco, and an unrecognizable David Schwimmer (it’s true - I didn’t know it was him until the end credits) is beautifully chosen, and it’s the best acting I’ve seen by Ryder in ages.

So before you get bombarded by the big ass Superman reboot hoopla, consider taking in this more subtle piece of Shannon’s work. With this and his superb turn in Jeff Nichols' TAKE SHELTER (Shannon also appears in Nichol's MUD still in theatrical release), the man has well proven he can carry and be the core of a very fine film. Here’s hoping the films will get finer.



* This review originally appeared in the May 30th, 2013 edition of the Raleigh News & Observer. It has been slightly written to reflect its release on home video.

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SUPERMAN: The New Nolan-ized Reboot

Now playing at mulitplexes from here to the Phantom Zone:

MAN OF STEEL (Dir. Zack Snyder, 2013)

The time is as good as any for a new take on the most powerful comic book superhero ever, but Zack Snyder’s (300, WATCHMEN, SUCKER PUNCH) reconstruction of the Superman movie mythos is a big bombastic bore.

A great cast has been assembled, including Henry Cavill as the caped crusader, Russell Crowe as Superman’s Kryptonian father, Kevin Costner as his Earth dad, Amy Adams as Daily Planet reporter/love-interest Lois Lane, Lawrence Fishburne as her editor/boss Perry White, Richarh Schiff (The West Wing) as some sort of all-knowing scientist, and, best of all, Michael Shannon as the evil bent-on-revenge General Zod, but Snyder working from a screenplay by DARK KNIGHT co-writer David S. Goyer, overcrowds the storyline with spectacle, repetitive dialogue, and needless convolutions making it difficult to connect with anything on screen.

You know the drill – before Krypton explodes, Papa Crowe (probably the actor who brings the most gravitas to the film) puts his new born baby (touted this time as the planet’s first natural birth in centuries) in a spaceship to Earth, where he’s found by a kindly middle-aged couple (Costner and Diane Lane) living on a farm in Kansas, who name him Clark Kent.

As the boy grows up he recognizes that he has great powers, learns of his origin, and heeding the advice of his step-dad Costner to conceal what he can do, he goes on the road anonymously going from town to town working different jobs until his powers get in the way and he has to move on just like David Banner (Bill Bixby) did on the old Incredible Hulk show.

Huh? Wait a second, that’s not really part of the classic Superman story is it? Sure doesn’t feel like it should be here, but whatever. In this version, Lois Lane figures out that Clark Kent has powers before he even puts on the suit; she never knows Clark and Superman as 2 different people. I’m fine with that – it would be too much to ask for an ace investigative reporter (one that’s won the Pulitzer Prize, mind you) to be fooled by a pair of glasses, so they don’t introduce the element of our hero working at the newspaper until the end. Makes me miss the comically over-sized glasses that Christopher Reeve wore as Clark back in the original ‘70s-‘80s SUPERMAN movies, but, oh well.

Also unlike that run of movies, that got progressively worse (the first two were great, the third and fourth ones, not so much), there’s no Fortress of Solitude made out of new age crystals, no Lex Luthor, and barely any humor.

Shannon is perfectly cast as General Zod (stepping into the mighty shoes worn by Terrence Stamp in SUPERMAN: THE MOVIE and SUPERMAN II), but it’s an exposition-heavy role, with the actor looking like he’s in a permanent bad mood (resembling grumpy cat at times), but it’s still one of the more successful elements on display in MAN OF STEEL, because of how invested Shannon is in it.

Zod and his minions attack Metropolis, with tons of buildings getting destroyed (we don’t seeing many people dying but from what we see it’s impossible that there wasn’t a large death toll) and start taking over Earth so that they can make it New Krypton or something. The cityscape alien attack sequence was much better done in THE AVENGERS (not to mention SUPERMAN II), and the climatic one-on-one battle between Superman and Zod just has them pummeling each other from one set-piece to another with no excitement (they punch each other through buildings over and over). Meanwhile Fishburne and a few other Daily Planet folks are running through the rubble, for some reason they’re some of the only survivors of the attack, but since the film never established them as characters to care about, there’s no real connection to them.

The British-born Cavill makes for a fine Superman aesthetically, and he’s got the American accent down, but his is also a blank slate of a character that I had trouble forming any connection to. The charisma that Reeve had in the iconic role, and that Bryan Singer tried to capture with Reeve clone Brandon Routh in 2006’s SUPERMAN RETURNS is sorely missing, but that fault lies more with the writers/filmmakers than with the man in the cape.

One thread that really didn’t work for me had to do with the scrambled narrative that jumps around, and way too often to flashbacks of Earth dad Costner saying that the world isn’t ready for a man of incredible powers yet. They draw this out too long, when you know that the world is as ready as it’s ever going to be, and Costner’s death in a tornado, which his son could’ve saved him from, doesn’t make any sense.

In SUPERMAN: THE MOVIE, Glenn Ford as our hero’s adoptive father died much more poignantly from a heart attack – something Superman could never have saved him from (well, unless he spins the world back in time), and it had a richer meaning to his maturation; here the man’s death doesn’t teach any lesson except that he’s wrong and his son should’ve revealed himself much earlier. I really don’t get what they’re waiting for. The movie doesn’t give any discernable reason except to stretch out Superman’s angsty development and Costner’s part.

The dark gritty approach to the material, which undoubtedly came from Executive Producer Christopher Nolan, who shares a “story by” credit with Goyer, isn’t right for this area of the D.C. Comics universe. I’m not saying Superman should be nothing but sunny warmth, but there’s no triumphant thrill to seeing our hero save the day here – he doesn’t even show concern for the many who undoubtedly died in the huge devastation on Metropolis.

MAN OF STEEL is a by-the-numbers summer blockbuster wannabe that forgot to have any fun with its source material. Ultimately, it's a ginormously fussy film pulled in so many directions that it's un-engaging and dull. 

Technically, with its well chosen cast and vast array of nonstop visual effects, Snyder and crew have made a serviceable popcorn picture, but next time out (and with all the money that it has already made, there certainly will be a next time) I’m hoping they’ll remember to add more heart, humor, and humanity to this not quite re-booted franchise.

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Upcoming Blockbuster Wannabes (With Trailers!)

I went to see THE GREAT GATSBY 3D, which wasn’t that great, last weekend and like usual when I go to the multiplex I get exhausted before the main attraction even starts because of the bombastic noisy trailers for upcoming blockbuster wannabes. 

At least the theater, the Raleigh Grande, didn’t pile too many on like some others do. The bombast started with SUPERMAN RESTARTS, sorry, MAN OF STEEL, the new Superman reboot starring Henry Cavill and directed by Zack Snyder (300, WATCHMEN, SUCKER PUNCH) coming out on June 14th.

The epic trailer looked incredibly promising, albeit Christopher Nolan-ized (Nolan executive-produced), and I like the idea of Russell Crowe as Superman’s biological father Jor El from Krypton, Kevin Costner as his Earth father, and especially Michael Shannon as General Zod. Here’s hoping that it at least strikes a more successful chord than Bryan Singer’s SUPERMAN RETURNS. Check out the trailer:

The following trailer, for THOR: INTO DARKNESS, sorry, THOR: THE DARK WORLD, due out November 8th, really suffered by comparison to the MAN OF STEEL one. 

Alan Taylor takes over on directing duties from Kenneth Branagh for the sequel to the 2011 Marvel Universe entry, in which Chris Hemsworth reprises his role as the Asgardian warrior for the third time (the second was in last year’s smash THE AVENGERS). Natalie Portman also returns in this CGI-saturated super hero flick that has Thor battling…uh, I’m not sure. Actually I couldn’t get a sense of the plot, except that Portman goes to Thor’s dimension or whatever you call it, from the roughly 2 minute trailer, which you can see below, but looks like there’s lots of action and stylized violence just like you’d expect. 

Lastly, one of the most anticipated movies of the summer, Marc Forster’s WORLD WAR Z, based on the book by Mel Brooks’ son Max Brooks, was advertised in a trailer also filled with quick cuts of thunderous action. Brad Pitt stars in the film (the trailer doesn’t make his occupation clear, but it's some kind of government job) that consists of swarming zombies (they move much much quicker than in The Walking Dead) overtaking the earth. The film has a budget of over $200 million and from the looks of this preview, it looks like it’s all up on the screen. Check it out the trailer for WORLD WAR Z, opening the week after MAN OF STEEL on June 21st in IMAX 3D and plain ole 2D:

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