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6 Ocak 2014 Pazartesi

Get Me A Cat That Can Act!: 10 Great Movie Cats (Live Action)














If you’ve seen any of the trailers, TV spots, or
posters for the Coen brothers’ newest film INSIDE LLEWYN DAVIS (opening wide this Friday) you know that it prominently features an orange
tabby cat.





As I live in a home full of cats (both our own and fosters as my wife and I volunteer for the Raleigh cat
rescue Alley Cats & Angels), I thought it would be fun to kick
off the new year with a good ole top 10 list, or a piece of
listicle linkbaitas some cynical critics call it, this time spotlighting other
felines that stole their respective movies.




Of course, some of these cat characters were played
by more than one cat but as the Village Voice’s Stephanie Zacharek wrote in her
review of INSIDE LLEWYN DAVIS, “
Technically, we’re talking about several cats, but let's look the other way for the sake of movie magic.” Also, as this post’s heading indicates, I’m excluding cartoon or CGI-ed cats. So don’t go looking for Garfield or the Cheshire Cat here. No cats who have overdubbed human voices either - so sorry, Sassy from HOMEWARD BOUND.




So here are 10 Great Movie Cats (Live Action):

1. Jonesy in ALIEN (and ALIENS)










As many critics have called Ridley Scott's classic sci-fi thriller ALIEN a haunted house in space premise, it made sense that a cat would be one of the crew members aboard the commercial vessel Nostromo so that there could be some fake-out scares of the oh, it's just the cat variety. Jones, nicknamed Jonesy, was officially there to rid the ship of rodents, but he became one of the most memorable of the film's characters. This is especially because he and Ellen Ripley (Sigourney Weaver) were the only survivors of the Nostromo's deadly alien encounters, and he even made an appearance in the sequel. For those who can't get enough of Jonesy, there's this fan fiction in the form of a free e-book: Alien, From The Point Of View Of Jones The Cat by Anne Billson. 



2. Tonto in HARRY AND TONTO









When I first saw the trailer for INSIDE LLEWYN DAVIS, I was reminded of Paul Mazursky’s 1974 drama HARRY & TONTO, which also featured an orange tabby being carried around New York and across country (although he was often walked on a leash as well).



Art Carney’s Oscar winning role as Harry Coombes, a retired schoolteacher who goes on a cross country trip after his apartment building is demolished, is greatly enhanced by his loyalty to his cat. Interestingly, Carney was far from a cat lover before this film, but after working on the film he told an interviewer that they both got along great, and that “when it was over I wanted to buy Tonto. His trainer wouldn’t allow it.” 



3. Blowfeld’s cat in the James Bond series











007’s arch enemy, Ernst Stavro Blofeld, portrayed by Donald Pleasance, Telly Savalas, and Charles Gray during the classic Sean Connery era of Bond, was always seen stroking a white fluffy Turkish Angora in his lap. We are never told the name of the cat beloved by the head of the global criminal organization SPECTRE, but reportedly a couple of cats named Soloman and Tiddes were used in the three films YOU ONLY LIVE TWICE (1967), ON HER MAJESTY’S SECRET SERVICE (1969, the lone George Lazenby entry), and DIAMONDS ARE FOREVER (1971).

Only once did Blofeld and his cat appear (neither played by any previous participant) in the Roger Moore era, in the pre-credits sequence of 1981’s FOR YOUR EYES ONLY, but the evil genius was never called Blofeld because of legal reasons. These same legal reasons amounted to a competing Bond movie, 1983’s NEVER SAY NEVER AGAIN, in which Max von Sydow’s Blofeld stroked yet another fluffy Turkish Angora. 








Showing how much of an impression the cat made on pop culture, a parody of Blofeld’s pet was included in the Mike Myers AUSTIN POWERS films (themselves parodies of the Bond series and the entire ‘60s spy genre): a hairless Sphynx named Mr. Bigglesworth, the beloved cat of Blofeld lookalike (and satiric equivalent) Dr. Evil.




4. Don Vito Corleone’s cat in THE GODFATHER 







In his commentary on the DVD and Blu ray of the 1972 gangster classic, director/producer/writer Francis Ford Coppola explains how Marlon Brando's iconic character came to have a furry friend on his lap: “It's interesting - the cat in Marlon's hand was not planned for. I just saw the cat kind of running around the studio, and I just took it and just put it right in his hands without a word. I said ‘here Marlon,’and he, uh, of course, he loves children and animals and he immediately took to the cat. And the cat took to him and it became part of the scene - not at all planned, just a random idea. 



5. “Cat” in BREAKFAST AT TIFFANY’S





  

The unimaginatively named Cat is yet another orange tabby that stole the show as Holly Golightly's (Aubrey Hepburn) cat in the 1961 classic. 



6. The Black Cat in THE BLACK CAT 







It's about time a black cat made the list, and who better than the creepy cat title character in the 1934 Universal horror classic THE BLACK CAT? As this was way before the internets, not much is known about the cat, who seemed to be suggested by the Edgar Allan Poe short story of the same name. There were a bunch of remakes (even back then they were remaking the Hell out of horror flicks), but let's just stick with the first and best one.


7. This little kitten in LA DOLCE VITA








One stand out scene in Federico Fellini's 1961 classic had Anita Ekberg playing with a tiny kitten that she found walking the streets of Rome. One could say she reduces the kitty to a fashion accessory but it's a cute scene nonetheless.



8. Mr. Jinx in MEET THE PARENTS







On the audio commentary for the hit 2000 comedy, Ben Stiller asked man of few words Robert De Niro what he thought of his toilet using cat co-star, who was played by two five year-old Himalayans. De Niro: I like cats. Cats is good.” Well put, Bob.


9. Phillip Marlowe's cat in THE LONG GOODBYE








Yep, another orange tabby. Elliot Gould isn't able to hold on to his cat in the 1973 detective thriller (of sorts) for long as director Robert Altman put it on the “Rip Van Marlowe” featurette on the film's DVD: “The cat was around as long as it got fed. But he didn't get fed - that's the end of the cat.” The cat exits the apartment's window, and the film, when Elliot's Marlowe tries to pull one over on him by putting the label of his favorite food on a can of a generic brand.








10. A cat extra in DAY FOR NIGHT







The heading of this post comes from this scene in François Truffaut's 1973 Oscar winner DAY FOR NIGHT, in which a crew member on the film-within-a-film can't get a cat extra to hit its mark and orders: “Get me a cat that can act!”





More later...





3 Ekim 2013 Perşembe

GRAVITY: The Film Babble Blog Review




Opening today at nearly every multiplex in the Solar System:

GRAVITY (Dir. Alfonso Cuarón, 2013)









Sandra Bullock and George Clooney are our astronaut audience surrogates in Alfonso Cuarón’s GRAVITY, the first great movie of the fall season.




After so many overblown sci-fi epics, it’s so refreshing to find a film set in the heavens, on the edge of Earth’s atmosphere to be exact, that doesn’t need attacking aliens or big ass asteroids to be scary - the prospect of being stranded, untethered in outer space is terrifying all by itself.

Bullock and Clooney find themselves in this predicament after debris from a destructed Russian satellite hits their space shuttle during their space walk on a Hubble Telescope repair mission. All other crew members were killed, and contact with Houston, represented by the voice of Ed Harris as Mission Control (nice shout-out to Harris’s roles in THE RIGHT STUFF and APOLLO 13) is lost, so there’s just the two Oscar winning A-listers lost in space.

Clooney, cocky and confident as usual, retrieves Bullock after she spins out of control away from the devastation of the accident, and, with the help of thruster packs, they make their way back to the shuttle. Finding that the shuttle’s been totaled and therefore not their ride back home, they then head towards the International Space Station.

Along the way we get a bit of insight into the characters, though less about why Clooney is driven to break the world record for longest spacewalk, and more about why Bullock prefers the quiet of space to life on Earth, i.e. she’s mourning the death of her four year old daughter.

When it comes to 3D, GRAVITY joins Martin Scorsese’s HUGO and Ang Lee’s LIFE OF PI in the small club of films that make spectacular use of the format. Cuarón and cinematographer Emmanuel Lubezki (who also shot Cuarón’s Y TU MAMÁ TAMBIÉN and CHILDREN OF MEN) glide through the spectacularly imagery with an electric energy that will make you feel as weightless as its leads. It's definitely worth the price of admission for the
 IMAX 3D Experience.


Clooney is his regular charming self, but Bullock acts her ass off. It’s such an impressive and emotionally invested performance that I wouldn’t be surprised if it garnered her another Oscar nomination.

From the point-of-view visor shots from inside of Bullock’s helmet, to the expansive CGI-ed shiny space station surroundings, there’s a lot of immersive imagery in GRAVITY, a lot of technical beauty, but the film’s most amazing feat is how satisfyingly stressful it is.

One fake-out fever dream scene aside that I won’t spoil, the film is heavily grounded in reality with only existing technology available which adds greatly to the film’s frightening grip.

Although it begins with text telling us how unlivable outer space is, recalling Ridley Scott’s 1979 sci fi classic ALIEN’s tagline: “In space nobody can hear you scream,” GRAVITY is not sci-fi. It’s a thriller in which the cold darkness of the great beyond is more terrifying than any made up monster. 




Seeing it will make you feel as if you’re really starring into the void, and when it’s over you’ll be happy to be safe back on Earth. That’s just a few of this bold, amazing, and breath taking movie’s many sensations.





More later...