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6 Ocak 2014 Pazartesi

Get Me A Cat That Can Act!: 10 Great Movie Cats (Live Action)














If you’ve seen any of the trailers, TV spots, or
posters for the Coen brothers’ newest film INSIDE LLEWYN DAVIS (opening wide this Friday) you know that it prominently features an orange
tabby cat.





As I live in a home full of cats (both our own and fosters as my wife and I volunteer for the Raleigh cat
rescue Alley Cats & Angels), I thought it would be fun to kick
off the new year with a good ole top 10 list, or a piece of
listicle linkbaitas some cynical critics call it, this time spotlighting other
felines that stole their respective movies.




Of course, some of these cat characters were played
by more than one cat but as the Village Voice’s Stephanie Zacharek wrote in her
review of INSIDE LLEWYN DAVIS, “
Technically, we’re talking about several cats, but let's look the other way for the sake of movie magic.” Also, as this post’s heading indicates, I’m excluding cartoon or CGI-ed cats. So don’t go looking for Garfield or the Cheshire Cat here. No cats who have overdubbed human voices either - so sorry, Sassy from HOMEWARD BOUND.




So here are 10 Great Movie Cats (Live Action):

1. Jonesy in ALIEN (and ALIENS)










As many critics have called Ridley Scott's classic sci-fi thriller ALIEN a haunted house in space premise, it made sense that a cat would be one of the crew members aboard the commercial vessel Nostromo so that there could be some fake-out scares of the oh, it's just the cat variety. Jones, nicknamed Jonesy, was officially there to rid the ship of rodents, but he became one of the most memorable of the film's characters. This is especially because he and Ellen Ripley (Sigourney Weaver) were the only survivors of the Nostromo's deadly alien encounters, and he even made an appearance in the sequel. For those who can't get enough of Jonesy, there's this fan fiction in the form of a free e-book: Alien, From The Point Of View Of Jones The Cat by Anne Billson. 



2. Tonto in HARRY AND TONTO









When I first saw the trailer for INSIDE LLEWYN DAVIS, I was reminded of Paul Mazursky’s 1974 drama HARRY & TONTO, which also featured an orange tabby being carried around New York and across country (although he was often walked on a leash as well).



Art Carney’s Oscar winning role as Harry Coombes, a retired schoolteacher who goes on a cross country trip after his apartment building is demolished, is greatly enhanced by his loyalty to his cat. Interestingly, Carney was far from a cat lover before this film, but after working on the film he told an interviewer that they both got along great, and that “when it was over I wanted to buy Tonto. His trainer wouldn’t allow it.” 



3. Blowfeld’s cat in the James Bond series











007’s arch enemy, Ernst Stavro Blofeld, portrayed by Donald Pleasance, Telly Savalas, and Charles Gray during the classic Sean Connery era of Bond, was always seen stroking a white fluffy Turkish Angora in his lap. We are never told the name of the cat beloved by the head of the global criminal organization SPECTRE, but reportedly a couple of cats named Soloman and Tiddes were used in the three films YOU ONLY LIVE TWICE (1967), ON HER MAJESTY’S SECRET SERVICE (1969, the lone George Lazenby entry), and DIAMONDS ARE FOREVER (1971).

Only once did Blofeld and his cat appear (neither played by any previous participant) in the Roger Moore era, in the pre-credits sequence of 1981’s FOR YOUR EYES ONLY, but the evil genius was never called Blofeld because of legal reasons. These same legal reasons amounted to a competing Bond movie, 1983’s NEVER SAY NEVER AGAIN, in which Max von Sydow’s Blofeld stroked yet another fluffy Turkish Angora. 








Showing how much of an impression the cat made on pop culture, a parody of Blofeld’s pet was included in the Mike Myers AUSTIN POWERS films (themselves parodies of the Bond series and the entire ‘60s spy genre): a hairless Sphynx named Mr. Bigglesworth, the beloved cat of Blofeld lookalike (and satiric equivalent) Dr. Evil.




4. Don Vito Corleone’s cat in THE GODFATHER 







In his commentary on the DVD and Blu ray of the 1972 gangster classic, director/producer/writer Francis Ford Coppola explains how Marlon Brando's iconic character came to have a furry friend on his lap: “It's interesting - the cat in Marlon's hand was not planned for. I just saw the cat kind of running around the studio, and I just took it and just put it right in his hands without a word. I said ‘here Marlon,’and he, uh, of course, he loves children and animals and he immediately took to the cat. And the cat took to him and it became part of the scene - not at all planned, just a random idea. 



5. “Cat” in BREAKFAST AT TIFFANY’S





  

The unimaginatively named Cat is yet another orange tabby that stole the show as Holly Golightly's (Aubrey Hepburn) cat in the 1961 classic. 



6. The Black Cat in THE BLACK CAT 







It's about time a black cat made the list, and who better than the creepy cat title character in the 1934 Universal horror classic THE BLACK CAT? As this was way before the internets, not much is known about the cat, who seemed to be suggested by the Edgar Allan Poe short story of the same name. There were a bunch of remakes (even back then they were remaking the Hell out of horror flicks), but let's just stick with the first and best one.


7. This little kitten in LA DOLCE VITA








One stand out scene in Federico Fellini's 1961 classic had Anita Ekberg playing with a tiny kitten that she found walking the streets of Rome. One could say she reduces the kitty to a fashion accessory but it's a cute scene nonetheless.



8. Mr. Jinx in MEET THE PARENTS







On the audio commentary for the hit 2000 comedy, Ben Stiller asked man of few words Robert De Niro what he thought of his toilet using cat co-star, who was played by two five year-old Himalayans. De Niro: I like cats. Cats is good.” Well put, Bob.


9. Phillip Marlowe's cat in THE LONG GOODBYE








Yep, another orange tabby. Elliot Gould isn't able to hold on to his cat in the 1973 detective thriller (of sorts) for long as director Robert Altman put it on the “Rip Van Marlowe” featurette on the film's DVD: “The cat was around as long as it got fed. But he didn't get fed - that's the end of the cat.” The cat exits the apartment's window, and the film, when Elliot's Marlowe tries to pull one over on him by putting the label of his favorite food on a can of a generic brand.








10. A cat extra in DAY FOR NIGHT







The heading of this post comes from this scene in François Truffaut's 1973 Oscar winner DAY FOR NIGHT, in which a crew member on the film-within-a-film can't get a cat extra to hit its mark and orders: “Get me a cat that can act!”





More later...





18 Eylül 2013 Çarşamba

Scene Spotlight: The Final Casino Scene In CASINO ROYALE (2006)




Occasionally, I’m going to shine a spotlight on a could be classic scene from cinema history. This time around, let’s take a look at the final casino scene from Martin Campbell's 2006 James Bond film CASINO ROYALE.











The film, the 21st in the series, was the first outing as 007 for Daniel Craig, and it served as a reboot for Bond after the increasing silliness of the Pierce Brosnan entries.

A film I wrote about earlier this year, John Dahl’s 1998 poker-driven crime drama ROUNDERS is widely respected within the casino games community, on the grounds that the gambling is more realistically depicted than usual in Hollywood movies, but the gambling scenes in 
CASINO ROYALE put cinema over realism in a way that only Bond movies can. 



No one should ever expect gritty realism in a Bond film so when our secret agent hero faces off against arch villain Le Chiffre (Mads Mikkelsen) over a game of Texas Hold’em the stakes are absurdly high. Bond knows he has to win, because le Chiffre plans to use the winnings to aid terrorists, which gives the game an edge even the most gripping of cinematic poker games could never match.

In the scene, the game is down to four players - Bond, Chiffre, Fukutu (Tom So), and Infante (Ade) – with four million in the pot. Bond has the biggest stack of chips, and the coolest demeanor, of course. After studying his main opponent with his icy eyes, Bond puts his entire 40 million, 5 hundred thousand in on the next hand to the gasping of the roomful of patrons surrounding them. Chiffre follows suit, and puts his money, all $115 million of it, in the pot.





Watch the scene and feel the tension:








With so many glitzy gambling scenes throughout the series, it would be hard to say that this one is the best, but it's definitely in the top 5 I'd say. It also recalls that the first time we met 007 on the silver screen, portrayed by Sean Connery in 1962’s DR. NO, he was sitting in a tux at a gambling table. Some things never change.





More later...


12 Şubat 2013 Salı

New Releases On Blu Ray & DVD 2/12/13








The triumphant return to form for 007 that was Sam Mende’s SKYFALL comes out today on Blu ray and DVD. The film, the 23rd in the James Bond series and the 3rd to star Daniel Craig, is available in a deluxe edition (including a DVD and a digital copy) on Blu ray, and a stand alone DVD version. Read my review from its original theatrical release here.





Special features include a couple of commentaries – one with Mendes, the other with producers Barbara Broccoli and Michael G. Wilson and Production Designer Dennis Gassner, a bunch of ‘making of’ featurettes, a segment on the Royal World Premeire of the film at the Royal Albert Hall (you know, with the Queen!), and a promo for the soundtrack.







Stephen Chbosky’s PERKS OF BEING A WALLFLOWER also drops today on Blu ray and DVD. It’s a movie I enjoyed (read my review), but not as much as my wife who adored it, saying that it captured her teenaged high school years beautifully. Both the Blu ray and DVD contain deleted scenes, a few featurettes, and a commentary with Chbosky, who adapted the film from his own young adult novel, and members of the cast including Logan Lerman, Emma Watson, and Ezra Miller. That sounds like a commentary I might want to check out.








Despite the work of a solid cast headed by John Hawkes, who talks in a nasal voice that often sounds like Norm McDonald, I was not a fan of Ben Lewins’ THE SESSIONS, which is now available on Blu ray and DVD. The film, about poet Mark O’Brien who was paralyzed from the neck down, was a hit with audiences, and the Academy as it garnered a Best Supporting Actress nomination for Helen Hunt, but I found it to be too cutesy, especially for its subject matter, and felt that all it had to say was ‘paraplegics need to have sex too.’ Both Blu ray and DVD versions contain deleted scenes and several featurettes.







Jake Schreier’s ROBOT & FRANK, also out today but only on DVD, is a movie that I liked a lot better. It’s a silly story, about an aging jewel thief who takes on a helper robot as a partner in crime, but Frank Langella gives it a pleasing gravitas. As I wrote in my review last September, “the charming camaraderie between Frank and his robot (voiced by Peter Sarsgaard) make this a breezily enjoyable 89 minutes.” The only special feature is a commentary with Jake Schreier and Writer Christopher D. Ford.






An acclaimed film that I’m ashamed I haven’t seen yet gets the Criterion Collection treatment today: Jean-Pierre Dardenne and Luc Dardenne’s 2011 drama THE KID WITH A BIKE. The set boasts a new digital transfer supervised by director of photography Alain Marcoen, featurettes including a conversation between film critic Kent Jones and directors Jean-Pierre and Luc Dardenne, interviews with actors Cécile de France and Thomas Doret, a half-hour documentary, “Return to Seraing,” and a booklet featuring an essay by critic Geoff Andrew, but who am I kidding? I’ll be watching it on Netflix Instant where it’ll be available until December 2015 (according to instantwatcher.com). Maybe I’ll like it so much that I’ll want to see the bonus stuff one day. Nice to know the Criterion Collection one is out there in any case.





Finally, a movie I was profoundly disappointed by gets a Blu ray and DVD release: Bill Jones and Jeff Simpson's A LIAR’S AUTOBIOGRAPHY: THE UNTRUE STORY OF MONTY PYTHON’S GRAHAM CHAPMAN. Chapman’s life and comedic legacy aren’t done justice by this misguided adaptation of his autobiography, which he recorded a sort of “book on tape” version of shortly before his death in 1989.





In the faux documentary, those recordings are illustrated by a range of different animation styles, very few of which are appealing, with guest voices by ex-Monty Python members John Cleese, Michael Palin, Terry Gilliam, and Terry Jones, along with Cameron Diaz as Sigmund Freud. Yep. Except for the few instances of actual footage that pops up (“The Spanish Inquisition” sketch, Cleese’s overplayed yet still hilarious eulogy at Chapman’s funeral) it all falls flat. But if you’re a hardcore Python fan that has to see everything, take note: this is also available on Netflix Instant (until Oct. 2017!).





More later...



19 Kasım 2012 Pazartesi

10 Of The Most Well Known Movie Quotes Ever - A Guest Post










This is a response to a previous post of mine from quite a while ago (100 Years, 100 Better Quotes - 6/25/05). Although they're fairly well known (and fairly obvious to most film buffs) here's Film Babble Blog fan Hollie Gibson's top 10 movie quotes, along with some thoughts:




Well, it takes a certain type of woman to wear a backless dress with a Beretta 70 strapped to her thigh. If you have recently seen the new James Bond film, SKYFALL, you may recognize that quote.





Yes, James Bond is still the master of the one-liners. In fact, his quotes are so well known that they have infiltrated our language. We want our Martinis “shaken not stirred in just the same way that Sean Connery had his in GOLDFINGER.

Of course, it's always fun to have a night out at the cinema, but now we have the technology to take it into our own homes. With a huge Samsung TV and a tub of popcorn, who needs to leave the house anymore?




Top 10 Film Quotes

Apart from James Bond films, there are many other famous quotes. Here's some of the best:

1. “May the Force be with you” is the quote from Han Solo in STAR WARS which has now become such a familiar part of our language.




2. “I want to be alone” was Greta Garbo's sultry line from the film GRAND HOTEL.

3. “There's no place like home” is how Dorothy in THE WIZARD OF OZ felt after a long journey of killing witches, wearing red sparkly shoes and visiting the Emerald City.

4. “I'll have what she's having” is the classic quote from the envious customer in a restaurant in WHEN HARRY MET SALLY.

5. “Of all the gin joints in all the towns in all the world, she walks into mine” is one of the famous lines spoken by Rick Blaine in the classic film CASABLANCA. The other, of course, is “Who's looking at you kid?”

6. “Frankly my dear, I don't give a damn” is the line spoken by Clarke Gable to Scarlett O'Hara at the end of GONE WITH THE WIND. Her feisty retort was “After all, tomorrow is another day.”




7. “I see dead people” is the line which sends shivers up your spine from the young boy Cole Sear in THE SIXTH SENSE.



8. “Mrs. Robinson, you're trying to seduce me. Aren't you?” is the flirty line spoken by Benjamin Braddock to Mrs Robinson in THE GRADUATE.



9. With “I'll be back,” Arnold Schwarzenegger lets us know what's in store for us in THE TERMINATOR.



10. “Here's Johnny!” Of course, if you really want some classic scary stuff there's nothing to beat Jack Nicholson in THE SHINING as his axe bursts through the door.



These are some of the best quotes to be found in films, but there are many more to familiarize yourself with. So why not spend an evening settled down in front of your massive television set, warm up some popcorn and see how many more classic quotes you can come up with?



Or you could just spend a nostalgic evening watching the films mentioned above. In the words of Bette Davis in ALL ABOUT EVE, “Fasten your seat-belts. It's going to be a bumpy night.

More later...

8 Kasım 2012 Perşembe

SKYFALL: The Film Babble Blog Review















    


SKYFALL
(Dir. Sam Mendes, 2012) 

Four years after the lackluster QUANTUM OF SOLACE, James Bond is back in this top notch movie that’s not just one of the best of the entire series, it’s one of the best full throttle straight-up action films in years. 






Definitely of this year, as it’s way more adventurous than THE AVENGERS, dangerously darker than THE DARK KNIGHT RISES, and completely out-Bournes THE BOURNE LEGACY. And that’s just in the first 10 minutes.

In a Turkey-set pre-credits sequence that encompasses a chaotic car chase, a motorcycle chase over rooftops (take that TAKEN 2!), a bulldozer demolishing a train carriage while in transit, and a hand to hand fight on top of that train going through a tunnel, Daniel Craig’s 007 has us in the sweaty palm of his bloody hand.

Bond’s superior, M (Judi Dench), has a larger role than usual as her job heading the MI6 is in jeopardy and she’s being targeted by Raoul Silva (Javier Bardem), a former agent turned cyberterrorist.





To help his boss, Bond travels to Shanghai (always gotta be globe-trotting) to recover the MacGuffin of this movie, a stolen hard drive that identifies many undercover NATO agents. This is where he meets the closest thing this film has to a Bond girl, Bérénice Lim Marlohe, who is under the rule of Bardem.

The spunky Naomie Harris, could be considered a Bond girl, but she’s more of his assistant, and there’s no romance going on there. Despite a quick shot of sex in the cold opening, Craig’s Bond seems less interested in bedding random babes than his predecessors, but that’s maybe just a sign of the times.

Bardem’s Silva is the best villain the series has had since…uh, I’ll say Christopher Walken in A VIEW TO A KILL. Like Walken, Bardem has dyed blonde hair and an unhinged presence. It’s a wickedly funny performance that’s introduced to us in a superb long-shot that has Bond’s back to us (tied in chair), and Bardem slowly getting closer as he puts forward a menacing monologue.

In a shoot-out in Parliament, Bond saves M from Silva and gets her to the safety of his boyhood home in the Highlands, an old crumbling castle named Skyfall. That’s where a STRAW DOGS-ish WITNESS-esque tension resonates as we wait for Silva’s killing crew to arrive.

SKYFALL restores gravitas to the series, and has everything you’d want in a modern day Bond movie. First off, it’s got Craig, who I used to think looked more like one of the thugs that would beat up Bond than Bond, putting in his most intense and riveting acting yet in his third performance as 007. 






Also, this time out, Craig’s equipped with quips as SKYFALL has a lot of laugh out loud lines. This is another plus as his previous turns were pretty close to humorless.

It’s got lovely ladies (Marlohe and Harris), a sharp screenplay (by Bond writer veterans Neil Purvis and Robert Wade, along with 007 newcomer John Logan), incredible cinematography (by Roger Deakins), ginormous explosions, a catchy not-bad theme song (by Adele), near perfect pacing, excellent editing (by Stuart Baird), stunning set-pieces, Bond’s classic Aston Martin, and well chosen supporting cast members, such as Ralph Fiennes as a stuffy higher-up of M’s (great nod to olden days when he says “Don’t cock it up, 007”), and the always welcome Albert Finney as the groundskeeper of the Skyfall estate. 





Oh yeah, there’s also a amusingly befuddled Ben Whishaw (also currently in CLOUD ATLAS) as a young Q, you know, Bond’s go-to gadget guy.



Some of Bond's back story may seem Batman-like, i.e. he comes from a rich family and his parents were both killed when he was a wee lad, but it still didn't feel derivative of the Dark Knight. No, SKYFALL has a different agenda - it wants to re-invigorate a franchise, not give us a lavish end-game.


As super heroes, and brainless spectacle (I’m looking at you THE EXPENDABLES) usually dominates the box office these days, it’s wonderful to report that Bond is back and at his best. Way to celebrate your 50th anniversary 007!





Post note: I guess the iconic gun barrel deal is officially now at the end of the Craig/Bond movies, before the credits roll. That's cool, I can dig it.





More later...



Countdown to SKYFALL #4: The Best Bond Car Stunt Ever




The 23rd James Bond movie, Sam Mendes’ SKYFALL, releases tomorrow, so Film Babble Blog has been all about Bond this week with 007-centric posts leading up to my review of the highly anticipated film.








This time out, let's take a look at what I believe is the best car stunt of the series. In THE MAN WITH THE GOLDEN GUN, Bond (Roger Moore) jumps his car, an AMC Hornet, over a broken bridge and it spins around 360 degrees in mid-air.







The amazing feat was done by stunt driver “Bumps” Willard in one take. It was slowed down with a slide whistle sound effect was added for the final film. You can see the scene below, and there's a sans slide whistle version somebody did, which may be preferable, included:











The stunt was even featured in the cool poster image (by artist Roger McGinnis):











So it goes - a stellar car stunt in a less than stellar Bond movie. Check back here tomorrow for my review of SKYFALL (Spoiler alert: it's stellar).





More later...