Pierce Brosnan etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Pierce Brosnan etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

23 Ağustos 2013 Cuma

Crammed With Killer Comedy, THE WORLD'S END Is A Funny As Hell Finale To The Cornetto Trilogy



Now playing at a theater near you:

THE WORLD'S END (Dir. Edgar Wright, 2013)










The
third installment in Simon Pegg and Edgar Wright's Cornetto Trilogy is
finally here and it's fuckin' fantastic!




For those who don't know, the
series, which includes the 2004 zombie rom com SHAWN OF THE DEAD, and
the 2007 action movie satire HOT FUZZ is called such because of a
connection to the Cornetto ice cream brand that appears in each film.




At
first glance, this new entry may look a lot like a British version of
this summer's THIS IS THE END, the raunchy apocalyptic Seth Rogen and
Evan Goldberg comedy.




But here, the cast, made
up of Pegg, Nick Frost, Paddy Constadine, Martin Freeman, and Eddie
Marsan, aren't playing themselves (that is, exaggerated caricatures of
their personas), and the backdrop isn't that of Biblical rapture; it's
an alien invasion that the blokes uncover while on a pub crawl in their
home town of Newton Haven, England.




Pegg,
as a 40something n'er-do-well alcoholic who never grew up (he still
wears the same Sisters of Mercy t-shirt and black trenchcoat he wore as a
teenager), rounds up his old gang to again attempt the “Gold Mile” crawl
of 12 pubs that they never completed two decades ago.




Pegg's former
pals have all moved on into responsible adulthood and roll their eyes at
the idea, yet they still join in, mainly because Pegg plays the
sympathy card of his mother's recent passing.




Many
pints are consumed by the group, except by the teetotaling Frost who
orders water to Pegg's chagrin (“A man of your legendary prowess
drinking fucking rain! It's like a lion eating Hummus.”), as they make
their way from pub to pub, but they find that Thomas Wolfe was right
about not being able to go home again.




Pub culture has been devoured by
chains making the establishments all look alike, the aging bartenders don't
recognize “the return of the prodigal sons” (as Pegg puts it), and, oh
yeah, it appears that many of the townfolk have been replaced with
robots.




Another
similarity to THIS IS THE END is that THE WORLD'S END (the title comes
from the name of the last pub on the crawl) is crammed with killer
comedy.




Ultra comical fight scenes, rapid fire one-liners, and sight
gags all hit their marks, while the characters' individual dilemmas -
Constadine pines for Freeman's sister Rosamund Pike, Frost reveals his
wife has left him, Marsan deals with running into a former schoolmate
who bullied him, while Pegg is only concerned with partying (no matter
what danger surrounds the fellows, Pegg's always pouring himself another
pint) - don't get short shrift in the mist of all the silly
sci-fi-tinged chaos.




The second in the trilogy, HOT FUZZ, had a juicy extended cameo by former 007 Timothy Dalton, but this tops it by having a better known Bond on hand: Pierce Brosnan as the band of blokes' former professor.



I
love how the film never let ups or drags. Director Wright and lead
protagonist Pegg, who co-wrote the screenplay as they did for SHAWN and
HOT FUZZ, provide an infectious energy, which the rest of the ensemble
is entirely up to the task of. It had everything I wanted from it: tons
of solid laughs, likable relatable characters, and satisfying story
beats all wrapped up together in a package that's as witty as it is
rowdy.




THE
WORLD'S END is a fitting, funny as Hell, end to a what will surely come
to be known as a classic comedy trilogy. A pint and a cone of Cornetto
ice cream would be ideal to consume while viewing it for sure, but the
movie is incredibly filling all by itself.

More later...

31 Mayıs 2013 Cuma

LOVE IS ALL YOU NEED Needs More Than Likable Leads And Pretty Scenery



Opening today in the Triangle area at the Raleigh Grande 16 in Raleigh, and the Chelsea Theater in Chapel Hill:








(Dir. Susanne Bier, 2012)



With its lush yellow-toned poster featuring Trine Dyrholm in the arms of Pierce Brosnan against the backdrop of the seaside village of Sorrento, Italy, and its sun-drenched opening shots of that location set to the Dean Martin standard “That’s Amore,” Susanne Bier’s newest film sets us up for a piece of chick flick cheese.







And for the most part it is, but thankfully, even with the rom com trappings of a wedding that brings two people together that aren’t the bride and groom, LOVE IS ALL YOU NEED largely doesn’t go for cheap laughs. It’s a rom drama you see, and when it sticks to the strengths of the likable leads it has a genuine heart to it. It’s when it strays to the underwritten and predictable predicaments of the rest of the cast, that it falters.





Dyrholm, unknown ‘round these parts but a star in Denmark, plays a long married woman who finds out her husband (Kim Bodnia) has been cheating on her while she’s been undergoing treatment for Cancer. Because of the chemo, the demure Dyrholm wears a long blonde wig (the film’s Danish title, DEN SKALDEDE FRISOR translates to THE BALD HAIRDRESSER).





Without her no good husband, Dyrholm travels to Italy from Copenhagen to go to her daughter’s (Molly Blixt Egelind) wedding, but on the way at the airport she runs into (literally in her car) Brosnan as one of modern cinema’s most enduring clichés – the cold overworked businessman who’s always on the phone, and doesn’t have his priorities in place. Brosnan is on his way to the same wedding, that of his son (Sebastian Jessen) to Egelind, so, of course, they share a cab when they get there.

You know the drill – the couple, inevitably fated to be lovers, are annoyed by one another, but circumstances bring them together. Brosnan is a widower whose deceased wife’s sister (the delightfully obnoxious Paprika Steen, veteran of two previous films with director Bier) has had the hots for him for ages.

Meanwhile, it’s pretty obvious that Brosnan’s son Jessen, is gay so there’s that thread in this not fully fleshed out farcical framework, as well as the oafish Bodnia’s floozy fiancé (Christiane Schaumburg-Müller) that he stupidly brings along to the event with no consideration to Dyrholm. These all appear to be misplaced conventions for an all out comedy all bouncing off each other in a lavish Italian villa, and they clash inappropriately with the chemistry Brosnan and Dyrholm have together.

Folks should also note, especially folks that hate subtitles, that this is a Foreign film for the most part. The former James Bond, Brosnan, speaks the Queen’s English, but his character is fluent in other languages, which is handy because 70% of the movie is spoken in Danish.

Gorgeously shot by cinematographer Morten Søborg, LOVE IS ALL YOU NEED has its charms, but it really needs more than the likability of its leads and its pretty scenery to make it anything special.








More later...

7 Kasım 2012 Çarşamba

Countdown to SKYFALL #3: Surveying The Series




Just 2 days left until the 23rd James Bond movie, Sam Mendes’ SKYFALL, comes out so let’s continue on the countdown with another 007-centric post.












Starting in the summer of 2010, the Colony Theater in Raleigh, N.C. started showing 35 mm prints of the bulk of the James Bond series, one a month, in chronological order from DR. NO (1962) to DIE ANOTHER DAY (2002). To cap off the canon, last summer they re-screened the first 3 Connery classics to celebrate the series’ 50th anniversary.





I attended just about every screening (I missed one or two of the Pierce Brosnan ones), many of which I’d only seen on TV before, and covered the run for Examiner.com. Here are the links to those posts, back from when the Examiner would pay more for local content (those were the days). Please check them out (because, you know, every click I get at that content farm helps):


50th anniversary screening of DR. NO at the Colony Thursday night (4/23/12)



James Bond Is Back! At The Colony Theater That Is (7/28/10)







The Colony Theater Has The Midas Touch With GOLDFINGER Thursday Night (8/24/10)

"James Bond Originals" At The Colony Theater Presents THUNDERBALL This Thursday Night (9/29/10)

James Bond Is Back: YOU ONLY LIVE TWICE This Thursday At The Colony Theater (10/27/10)

The Most Debated James Bond Movie Ever Screens This Thurs At The Colony Theater (12/29/10)

Connery As Bond Is Back: DIAMONDS ARE FOREVER This Thurs At The Colony Theater (1/26/11)



Roger Moore’s 007 Debut This Thursday At The Colony Theater (2/23/11)







THE MAN WITH THE GOLDEN GUN Takes Aim At 007 This Thursday Night At The Colony (3/29/11)



Roger Moore is THE SPY WHO LOVED ME Thurs Night at the Colony Theater (4/26/11)



The STAR WARS Bond Shows Thursday Night at the Colony Theater (5/25/11)



007 enters the ‘80s at the Colony Theater Thursday (6/28/11)



Roger Moore's 007 meets OCTOPUSSY tonight at the Colony (7/28/11)



Roger Moore's last outing as 007 shows this Thurs night at the Colony Theater (8/24/11)



Timothy Dalton takes over as 007 tonight at the Colony (9/29/11)



007 gets his LICENSE TO KILL revoked Thursday night at the Colony (10/26/11)









Pierce Brosnan takes over as 007 tonight at the Colony (12/29/11)



Pierce Brosnan’s 4th and final film as 007 screens tonight at the Colony (3/28/12)



More later...